CONTENTS 1880-

CHAPTER 6. THE BROOKSES’ PLANS FOR DEARBORN: BURNHAM & ROOT

6.2. ROOT’S FIRST ATTEMPTS AT THE DESIGN OF A SKYSCRAPER

6.3. THE GRANNIS BLOCK

6.5. THE ORIGINAL PLANS FOR DEARBORN VIA THE NEW CHICAGO AND WESTERN INDIANA STATION

6.7. ROOT ENCOUNTERS THE REALITY OF THE ACCOUNTANT: THE MONTAUK BLOCK

6.8. ROOT’S FIRST MASTERPIECE: THE CHICAGO, BURLINGTON, AND QUINCY HEADQUARTERS

CHAPTER 7: THE BOOM ALONG LA SALLE STREET

7.2. THE BOARD OF TRADE COMPETITION

7.3. BOYINGTON’S BOARD OF TRADE

7.4. CONSTRUCTING AND DECONSTRUCTING THE BOARD OF TRADE

7.5. BOYINGTON’S DESIGN FOR THE ARMOUR, KENT AND BENSLEY BUILDING

7.6. BURNHAM AND ROOT IN 1882: THE CALUMET BUILDING

7.7. THE DESIGN OF A BUILDING ON A CORNER LOT: THE COUNSELMAN BUILDING

7.8. GEORGE PULLMAN BRINGS S.S. BEMAN TO CHICAGO

7.9. THE ANARCHIST IWPA AND THE “CHICAGO IDEA”

7.10. BEMAN”S PULLMAN BUILDING

7.11. BOYINGTON’S ROYAL INSURANCE BUILDING

7.13. AN ARCHITECTURAL JANUS

7.14. REDEMPTION? BURNHAM & ROOT ARE GIVEN THE RIALTO BUILDING

7.15. DEVELOPMENTS ALONG DEARBORN: 1883

7.16. THE INFLUENCE OF H.H. RICHARDSON: v.1.0

CHAPTER EIGHT: 1884 – THE RISE OF CHICAGO

8.3. PLANNING THE MOVE FROM “THE ROOKERY” TO THE NEW COOK COUNTY/CITY HALL

8.4. ROOT’S EARLY EXPERIMENTS WITH THE MEDIEVAL REVIVAL: THE RIALTO VS. THE INSURANCE EXCHANGE

8.5. THE RETURN OF THE IRON FRAME TO THE EXTERIOR

8.6. LES MAGICIENS DU FER: ARMAND MOISANT AND GUSTAVE EIFFEL

8.8. THE STATUE OF LIBERTY: v.2.0.

8.9. THE CHICAGO OPERA HOUSE

8.12. THE OPERA HOUSE BLOCK

8.13. THE HOME INSURANCE BUILDING

8.14. THE “SKYSCRAPER” AND “IRON SKELETON FRAMING” IN 1884

8.16. JENNEY’S STRUCTURE OF THE HOME INSURANCE BUILDING

8.17. “NO BEAM, NO FRAME:” IT WAS NOT THE FIRST USE OF AN IRON SKELETON FRAME